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The Story Begins Wait For Love Stay In The Moment Stay In The Moment Continuum Best of You Marie, Otha White Band: Reading their individual discography is exhausting. With reedist Mats Gustafsson, Fire! But it is also a band which happens to often meet with their heroes, live and on tape. Before listening to this album I sat for a while just staring at the cover.
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What was this going to be like? I was starting to feel afraid that on this album I would hear The Thing either eat Ulmer alive, especially live, with Mats Gustafsson leading the way like a rabid dog. Or that The Thing would fall flat, not knowing how to see eye to eye with the legendary Ulmer. But all these feelings are of course silly, knowing what these people are capable of, on their own — or with others. What was there to worry about?
On this album I hear nothing else than the greatest of respect to what James Blood Ulmer is, whatever that is, and also with the soul, passion and force that is The Thing, intact. The 4 original Ulmer compositions are all treated with great care albeit twisted, turned and re-invented. Nilssen-Love and Gustafsson jumps straight in.
One took place in Bratislava, where I was playing in front of Cory Henry, who is one of the artists that made a great impression on me because of both his music and amazing improvisation skills.
The other one was the advice that I've been given by Mr. Adam Makowicz, a Polish jazz legend, master of improvisation and a distinguished pianist, who once came to my concert, and I would never forget what he told me that day.
He said to me: Just try to play your best. After that you need to get back home and spend long hours practicing. I experience each appearance on stage differently. The audience is different, we've got new emotions and new experiences. A concert is an indescribable experience, an unforgettable meeting with people.
Studio sessions, on the other hand, are totally different, generally speaking those two phenomena don't have that much in common. Personally, I feel best during concerts, where there's this incredible energy and emotions that you can share with other people.
Republic of Jazz: Oct 24,
The most fascinating concert that I had given until now and that will remain in my memory forever was the concert promoting my second CD: It was one of the most exciting musical event I had by now, and a wonderful memory.
Because of the fact that it is quite recent I'm still reliving it. There were a lot of jazz and blues musicians who have significantly influenced the shape of music that we listen to in today's Poland. What are your hopes and fears for the future of?
Because of the fact that I'm quite young my only point of reference concerning the comparison between up-to-date music and the music from the past includes mostly watching concerts and listening to performances of great music legends and geniuses of various musical styles.
That is how I reached the conclusion that modern music lacks charisma, this certain kind of magic. The vast majority of contemporary artists appear only for one season or two, I mean that we don't have a lot of artists who stay in our memory for long. In the past the access to advanced recording or amplifying equipment was limited and yet a lot of listeners like to 'get back to the roots' and listen to the sound of the music from the past.
Sometimes it scares me to see that the music actually lacks music, I know that it might sound awkward but this is how I feel. When you listen to certain pieces of music from the past you can feel that they are conveying a message, a history, those are not merely sounds. Nowadays it's easier to get to the information that would enable you to learn how to play and there's a lot of people who are learning to play or are already singing or playing.
Unfortunately, only some of them are truly able to captivate the audience by means of their music.
As I have already said before, music isn't only about sounds, it's a story expressed by means other than words. I'm not limiting myself to Jazz only.
I try to stay open to other music styles. If you could change one thing in the musical world and it would become a reality, what would that be?
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Sometimes I wish I could change the attitude of certain musicians towards music. What is the status of women in music? I'm quite happy to live in a 'Man's World. Men are stronger and we can see it, for instance, in the way they play on an instrument. Women on the other hand are more sensitive and softer. I don't think that we can say whether one is better or worse from the other.
They definitely differ and each has something special to offer, which we can hear in music. Seeing a female bass guitar player is gradually becoming more common, and I have to admit that I have never experienced any form of criticism concerning my choice of instrument, quite the opposite is true, it's perceived as an asset.
Which is the most interesting period in local scene?